January 7, 2011
Click to enlarge
Cartoon for The New City Reader: Weather Section, a continuous 3-spread graphic that includes a large city expanse with magnified close-ups pertaining building materials/architectural objects and their relation to weather. The weather section has been guest-edited by Jeffrey Inaba/ C-LAB, and put together with the collaboration of Justin Fowler, Simon Battisti, Nathalie Janson, Amanda Shi, Lauren Turner, Jeffrey Yip, Neeraj Bhatia, Charles Holland, Rory Hyde, Wes Jones, Sean Lally, Andy Lantz, Jürgen Mayer H., Markus, Miessen, Nicholas de Monchaux (http://nicholas.demonchaux.com/), Philippe Rahm, and Dong-Ping Wong.
You can read it by clicking on the images below:
Or download the full pdf at C-Lab’s Weather Patterns.
The New City Reader: A Newspaper of Public Space is a project curated by Kazys Varnelis and Joseph Grima. The New City Reader is a performance-based editorial residency designed as a part of the Last Newspaper, an exhibit running at New York’s New Museum from 6 October 2010‒9 January 2011. It consists of one edition, published over the course of the project, with a new section produced weekly by alternating guest editorial teams within the museum’s gallery space. These sections are available free every Friday at the New Museum and will also be posted in public throughout the city for collective reading. The permanent staff and list of guest editorial teams can be found in Varnelis.net.
October 24, 2010
This cartoon is a collaboration for The New City Reader: A Newspaper of Public Space, a project created by the hyperactive and always brilliant (he’s a rather handsome guy too) director of the NetLab, Kazys Varnelis, and the also eminently able Joseph Grima, former director of the Storefront for Art and Architecture and current editor of Domus. The New City Reader is a performance-based editorial residency designed as as part of the Last Newspaper, an exhibit running at New York’s New Museum from 6 October 2010‒9 January 2011. It will consist of one edition, published over the course of the project with a new section (Editorial, International News, Business/Economy, Politics…) produced weekly by alternating guest editorial teams within the museum’s gallery space. These sections will be available free at the New Museum and—in emulation of a practice common in the nineteenth-century American city and still popular in parts of the world today—will be posted in public throughout the city for collective reading.
The permanent staff and list of impressive guest editorial teams can be found in Kazys Varnelis’s original launching announcement at Varnelis.net, which I have cannibalized to write this post.
Kazys can be found in the cartoon.
On a completely unrelated note, I’d like to recommend Aude-Line Duliere/Clara Wong’s Monsterpieces: A Retrospective of Retro-perspective, an exercise on un-learning architecture history with essays by Antoine Picon, Spyros Papapetros, Timothy Hyde, Monica Ponce de Leon, Jonathan Solomon. The book speculates on the future state of post-occupancy of contemporary architectural icons, creating a retrospective of future archeological studies.
It will be presented on Monday 25.10.2010 at 6.30pm in a Book launch, reception and discussion panel with Liam Young, Penelope Haralambidou, Oliver Domeisen and Ben Campkin at the AA Bookshop in London.
May 31, 2010
Now that’s been a couple of weeks after the Pritzker Ceremony, and following my policy of never publishing anything when it’s due, I decided to finish the month with a little recap. This is the way the cartoon was supposed to be on the first place, but I felt that the in-joke departed too much from the real message, and that it might be misleading. But Zumthor is always so funny (I may be one of the twoo or three people in the World that think this, I know). Now that I look at it, I’m a little bit intrigued by the metonymic Popeye connection that arose spontaneously on the right. I’ll have to explore that in the future.
If you don’t know what this is all about, check here
And now, a few links:
Also, The New York Times offers its own set of pictures, along with insightful statements both about and by some of the assistants:
‘Frank Gehry (’89), whose own Pritzker ceremony took place in Nara, Japan — “As a student, I learned how to make tatami mats and was in a gagaku orchestra,” he reminisced — could be spotted in head-to-toe black and, at 81, looking slimmer than before. “I go up and down,” he shrugged.’
Such a pity we weren’t invited.
April 7, 2010
Kazuyo Sejima and Ryue Nishizawa, partners in the architectural firm, SANAA, have been chosen as the 2010 Laureates of the Pritzker Architecture Prize.
“This marks the third time in the history of the prize that two architects have been named in the same year. The first was in 1988 when Oscar Niemeyer of Brazil and the late Gordon Bunshaft were so honored, and the second was in 2001, when Jacques Herzog and Pierre de Meuron, partners in a Swiss firm, were selected. Japanese architects have been chosen three times in the thirty year history of the Pritzker Architecture Prize—the first was the late Kenzo Tange in 1987, then in 1993, Fumihiko Maki was selected, and in 1995, Tadao Ando was the honoree.”
“For architecture that is simultaneously delicate and powerful, precise and fluid, ingenious but not overly or overtly clever; for the creation of buildings that successfully interact with their contexts and the activities they contain, creating a sense of fullness and experiential richness; for a singular architectural language that springs from a collaborative process that is both unique and inspirational; for their notable completed buildings and the promise of new projects together, Kazuyo Sejima and Ryue Nishizawa are the recipients of the 2010 Pritzker Architecture Prize.”
— Excerpts from the Announcement of the Pritzker Prize 2010
SANAA wins 2010 Pritzker Prize at Archinect
Sejima and Nishizawa Win 2010 Pritzker Prize at Architectural Record
2010 Pritzker Prize: SANAA at ArchTracker