“Why is it the tallest? I don’t really remember. I don’t really care. It was actually taller at the beginning, it was 400 meters, but then aeronautics came and they said that you can not because you interfere with the flight of the air planes. So we broke it. The building is now 310 meters but it is still designed to go up to 400 meters. Many people still believe it is unfinished… this idea is part of the game in some way,” says Piano in the 20 minute interview.
“As an architect you have a very dangerous job to perform. Dangerous for you but even more dangerous for other people. Because if you do something wrong it is forever. I think it [The Shard] is fine. I stopped crossing my fingers only a few months ago. You do everything you can to make it right but the truth is that you only understand at the end when it is built if it is right or wrong. I was not very good at school. I grew up with the idea that what you do is fine but it is probably not good enough. And so even now at 75 I still feel that every time I do something right it is a miracle. I don’t live in the sensation that everything I do is right. It is always a great surprise.”
Responding to criticisms that The Shard is a symbol of the welath dividie in London, Piano says that only 50 or 60 of the 10,000 people that will visit The Shard every day could be classified as rich. But he agrees that £25 is too much to charge to access the viewing platform at the top of the building. “£25 is too much but in this town everything costs too much… I agree it is too expensive. Because one of the aims of this building is to give London back to the people and to be public. But this is the normal price. If you go to the top of the Empire State building you spend more than that.”
Er, Renzo, let me remind you. It’s that tall because you all wanted to make A SHITLOAD OF MONEY.
And, by the way, a ticket to the top of the Empire State building is $25/£16 which is a lot cheaper than going to the top of the Shard.