Archive

Monthly Archives: June 2014

NK14 blog 01

Click to enlarge

“On our third week, we arrived in the city of Amaphonia. Some centuries earlier, the inhabitants of the city had filed a formal complaint, claiming that their architects did not pay attention to the acoustic needs of buildings. They should have known better. As architects’ minds go, this call for attention ultimately led into a fascination for the shapes of sound devices that soon translated into the urban form. Two hundread years later, the city showed the result of a formalistic fever that had turned the urban scene into a mechanical forest of gigantic microphones, loudspeakers and musical instruments that turned the amaphonians into Liliputians visiting a music store.(…)”

Rago Michaelis: Chronicles of the Pneumatic passage – A Scientific Approach. Tome III. Etterbeek: Erdna Éditions ; 267-74

– So, what’s the problem? …If a building has to work like a machine, it should look like a machine, right?

– Oh, shut up, Charles-Edouard… [*]

[*] If you don’t think it’s a joke, then you’re part of the problem.

………………………………………………………………………………………………………………………………………………………………………………….

The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #21: Acoustics, edited by Sophie Lovell, Florian Heilmeyer, Jessica Bridger, Elvia Wilk et al., and even features a rare recording of Pink Floyd’s Intro to “Obscured by Clouds”, played to an article. The Pneumatic Passage is a project located somewhere between Les Cités Obscures, The Airtight Garage, and Le réveil du Z, which has been in the pipeline for a long time -and will be till I find some funding. More on that later.

Violeau - Rem, Le Bon, la Brute

Click to enlarge

Les Éditions B2 is an indie publisher based in Paris, specialized in the publication of short -and not that short- texts that engage architecture from a variety of peripheral viewpoints. In their own words:

“Les collections B2 se proposent d’édifier un « cabinet de curiosités » architectural arpentant, dans le temps et dans l’espace, de Los Angeles à Vladivostok et de l’an mil à nos jours, une infinité d’espèces d’espaces et d’hétérotopies baroques… Embryonnaire, cette « Galaxie Gutenberg » s’organise principalement autour de plusieurs constellations – dont certaines n’existent pas encore…”

McLuhanisms aside, the different collections put together by Éditions B2: Actualités, Contre-Cultures, Design, Fac-Simile, Flashback, Patrimoine, Societé, Territoires… are -and I can testify this because I have 2 Kg. worth of their books sitting on my desk- a true culinary delicacy. Printed in small formats, those mini-books (hi, Tom Kaczynski), are a sort of delicatessen where the impatient reader can find a variety of texts by Paul Andreu et Nathalie Roseau, Beatriz Colomina, Claude Parent, Antoine Picon, Felicity Scott, Kim Jong-Il (no, I’m not kidding), Richard Buckminster Fuller, Louis XIV, Raymond Hood, my beloved Carol Willis, Louis Sullivan, and a neverending list of other authors.

Some months ago, Nikola Jankovic, chief editor of B2, informed me that a book by Jean-Louis Violeau dealing with Koolhaas was in the works, and asked me if I would be ok if they produced a booklet with all the “Hope” cartoons inside… adding to some other provocation. My curiosity piqued, I couldn’t but say “go with it”, and this was the outcome.

 Violeau - Rem, Le Bon, la Brute 02

I’m so slow updating the blog that Alejandro Hernández (@), editor in Mexican über-magazine Arquine, tweeted this pic of the book before I started writing this. There are 12 more pages like those, which can be found in their original context here and here. That’s Ethel Baraona on the far right, in a precognitive vision of her own presence at the Biennale. 

Russ Meyer would have been proud, Remment.

Violeau, Jean-Louis: REM. Le Bon, la Brute… Paris: Éditions B2. Collection CONTRE-CULTURES, 2014.

%d bloggers like this: