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[…] The Polish pavilion in Shanghai is probably the most famous and also most evocative project of WWAA. How would you describe it? How does it relate to your other work?
I came through several different phases with this project; first is was like with your first newborn, a strange feeling of being in some movie, with a complete stranger sucking life from you🙂 Afterwards, I was briefly in love, proud that it had grown into such big and strong being. Then, I was for a few years a little bit ashamed of it, before finally, not long ago, being able to embrace this project fully, as a not perfect but most important achievement. I think also that it might be our big luck, that this very first project was temporary and does not have to stand the test of time – in terms of functionality and durability, because the aesthetics where meant to work in this very moment.
Expo Pavilion was no doubt very defining for the profile of our practice; many investors where expecting copy-cats of this project. I hope we managed to find a cross of what was expected of us and what felt genuine and inspired at the moment. I would like to say that our approach to each project is completely different, but obviously that would be completely false and naive; we do follow some well recognized paths and use shortcuts. (…)
What do you think about the position and attitude of young practices at the moment?
When we where at the starting point, there where many practices having nice websites with many impressive projects – but only in renderings. It felt somehow phony/artificial, and now I’m really happy to see that many young architects start with small scale projects, having them realized, thus showing through their work some special skills, such as being socially sensitive or having nice touch with materials, details, or any other. Of course I’m not opposed to doing competitions or study projects, but just feel that in our job it is so important to have frequent reality checks.
Indira van ‘t Klooster: Freedom of Flexibility – An Interview with Natalia Paszkowska, from WWAA Architects. A10 MAgazine #59. Sept-Oct 2014
WWAA stands for Warsaw Architects, but a lot of their work currently takes place in Qatar. The office itself is located in KOMIN 73 (‘Factory Chimney 73’), a revitalized post-industrial complex, where activities ranging from design, graphic art, photography and fashion, to web and parametric design, 3D mapping and animation also reside. In the summer, an outdoor terrace hosts informal events. For a glimpse of what WWAA are producing, take a look at their website.