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a10- 60 - Julien de Smedt

JDS Plotting

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In your view, how do design and architecture relate?

It starts with architecture; that’s what I have been involved in the longest. MWA [Makers With Agendas] is an extension of that, but in some ways it goes further. It is easier distributed and available for more people. A building is a single event and is eventually only used by a few. It has a given set of users. MWA has extended our reach and our ideas to a larger population.

Ideas like obesity, education, areas of conflict… huge and complicated stuff.

If the issues are bigger, the products are smaller and more pervasive. We’re not trying to be freaks, but the reverse creation process we’re setting up is like an anomaly, if compared to the big brands. As we develop and extend our resources, we can make more complex products that need more research and thus more money, but are also more influential. The issues at stake sometimes lead to the conclusion that a real resolution would be a change in the law, but as far as our capacity goes now, it’s though the ingenuity of our designs that we aim to make life better. […] MWA derives from an urge to understand other forces that drive the world. My architecture goes in the same direction, but to really address societal issues one needs to utilize other tools and cover other topics.

Have you implemented ideas from MWA back into your architecture?

We have a project, a new mobile home. William Ravn asked me to design his summer house. So we discussed it as a general issue first. Consumption of land is becoming problematic. Small retreats are a big burden on the planet, and they are hardly used, they pollute the landscape and eventually contribute to the financial stress of a country. I wanted to challenge that typology and the mobile home typology. […] I would definitely apply MWA knowledge back into architecture when it makes sense. Before MWA, in 2005, we did the GANG School in Copenhagen, where we implemented a few ideas. It was a school for expelled kids, to keep them off the streets. It was a complete hybrid in that sense. […]

Excerpts* from: Indira van ‘t Klooster: On a scale of hybrid – An Interview with Julien de Smedt. A10 MAgazine #60. Nov-Dec 2014

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(*) Yes, you’ll have to buy the magazine if you want to read the rest.

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(*I know there’s a Numerus Klausus Cartoon missing; I’m saving that one for later). You’ll excuse me if I don’t comment much, but I pulled an all-nighter yesterday. Now, plug your Tito and Tarantula’s ‘Greatest Hits’, and relax.

The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #29: After Dark, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al., which is full with Luna Parks, neutrino detectors, night walkers in nocturnal london (this one’s particularly worth checking), an article on NY’s 1977 Blackout (which was also the sunject of the inaugural issue of The New City Reader), and a lot more…

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