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Klaus outside the blog

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Thank you all for coming yesterday to the Chicago Design Museum, and attend the event ‘Envisioning New Spatial Organizations’, organized by Iker Gil, editor in Chief of Chicago Architecture & Culture Journal MAS Context, within the 2018 Spring Talk Series. It was great to speak side by side with Stewart Hicks, from Design With Company, and game developer William Chyr, whose work (both of them’s) I’ve been a big fan for a long time. Thanks also to the Chicago Design Museum for kindly hosting us. A transcription of the talks is coming soon, so keep an eye on MAS context’s website for this and future events.

Ok, leaving for Ann Arbor now. I’ll keep informing.

Update: MAS Context uploaded a transcription of the whole event (with images!) Click the image below to get there.

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US Tour

Le Voyageur Luggage Trolley Bags (Not real merchandise, sorry)

So, after two short visits to Newcastle (thanks, Steve!), and Glasgow (Thanks, Jonathan!), tomorrow I start the US leg of my 2017-18 Tour, while I still ponder what I’ll do next year for Klaustoon’s 10th anniversary (where did all those years go?!).

For those interested, on February 14th, I’ll be in the Chicago Design Museum, together  with Stewart Hicks, from Design With Company, and game developer William Chyr, in the event ‘Envisioning New Spatial Organizations’, organized by editor Iker Hill for his MAS Context 2018 Spring Talk Series.

On February 15th and February 19th, I’ll be (in disguise) at Taubman College, in Michigan. And, finally, on the 21st, I’ll be lecturing in the School of Architecture of the University of Nebraska, Lincoln, closing the Hyde Lecture Series 2017-18. 

So, don’t take it personally if I’m a little unresponsive these upcoming weeks.

Next stop: Mexico! (Coming soon).

 

 

 

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We’re rapidly approaching that time of the year, so before it’s too late, let’s dust off some stuff. A couple years ago, Paula Melâneo, editor of Arq’a, emailed me asking if I’d be interested in including a some of my work in the ‘dossier’ section of their magazine. And I was. Here are some med-res images of it. BTW: Thanks to Luís Santiago Baptista for his interest in my work, after being featured together in this issue of STUDIO magazine.

Soon, I’ll include a downloadable .pdf file somewhere on this site.

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UNL-Hyde Lecture Series

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Many (count me as one of those) seemed to think this blog was dead, but, alas, we were all wrong and here I am, back for my now customary -it seems- biannual update. There have been some other works waiting the line in the last two years, but, since they’re late already, I thought it might be worth sharing something hot off the presses. A little backstory for this one: A few months ago, Sarah and David Karle, from the University of Nebraska Lincoln contacted me, asking if I’d join this year’s Hyde Lecture Series, a question whose answer is, by default, ‘Yes, of course’.

They also asked if I would like to design this year’s poster. Unfortunately, I’ve been swamped by work this term, and I would hardly be able to fit it in my schedule. So I said the only thing I could: ‘Sure, I’ll do it!’. Of course, since I was in a very tight schedule, I decided to make the drawing as complicated as possible. I’m not sure this is the most crowded cartoon I’ve produced so far, but it’s certainly up there in the Top Ten.

Thanks, guys, I’ll see you in February!

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Bonus peek #1: I rarely (as in ‘never’) produce preliminary mock-ups for my drawings, just some random sketches. But they asked, so as to get an idea of what they would be getting, and in this case I thought it was more than fair. It was also very useful, because the poster needed to be bigger than my usual drawing size, so making sure it worked in advance took some anxiety away. In fact, I later blew it up and drew the pencils on top of it, which made the process of adding the details a pretty zen experience.

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Bonus peek #2: The final drawing for the poster, from pencils, to inks, to colors. See if you can spot all the referents (no Trump, sorry).

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Summer vacation is unfortunately over, so let’s catch up with published work that hasn’t made it to the blog yet. Today’s post belongs in the series of illustrations I did for the ‘Interchange’ interviews published in A10 magazine over the last 2 years. As you may know, A10 went out of business last Spring. So, whether this is something permanent or -hopefully- it is not (read announcement here), these posts will remain, for the time being, as the only available peek at the A10 archives. Except, of course, for our Forty and Famous bookwhich compiles 10 of them. There are still some copies left, I believe. Contact @IndiraS if interested.

Today’s post features ZUS [Zones Urbaines Sensibles], a practice led by Elma van Boxel and Kristian Koreman that ‘researches and intervenes in the contemporary urban landscape with productions ranging from urban plans and architecture to installations and fashion.’

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When I first interviewed ZUS in 2006, the office had only existed for three years. At the time, principals Elma van Boxel and Kristian Koreman wondered, ‘Often we ask ourselves which challenges are solvable with good design, and which can really only be solved through politics. After the tsunami in Asia or the hurricane in New Orleans, the question arises to what degree human influence has on our surroundings. What means are still tangible for a designer at larger scales?’ In 2014, ZUS won a major design competition in New York that deals with this exact question. Now they are in America, having just founded ZUS NY.

Since Katrina (2004) and hurricane Sandy (2012), the American awareness of the need for a more inclusive way to solve its climate problems gained ground. After Sandy hit New York it was with amazing speed that Rebuild by Design was founded. The competition’s formula to bring stakeholders to the heart of effective resilience planning has been very successful ever since. Designs were issued (and won) by big firms like OMA and BIG. But among the six finalists was also the team of MIT CAU, de Urbanisten and ZUS Architects, with Deltares, 75B and Volker Infra Design. They received 150 million dollar (of a total 930 million dollar) to realize their proposal for the Meadowlands in New Jersey. The aim is to work with local governments and communities to ensure that the design is incorporated into the lives of everyone involved.

Like in the Netherlands, you deal with communities and stakeholders, with a focus on ecology, community, culture, and landscape design – an inclusive way of working that influences spatial planning and peoples’ lives. Thus, your projects are usually also political. Is working in the US different from here?

If interdisciplinary and proactive work is an ambition in Europe and the Netherlands, it is a necessity in America. To get a project done, you have to work proactively through all the political layers, and you automatically come up against economic and environmental factors. These must somehow be integrated in the plans. You will have to create support from top to bottom. In that sense, working in America is fundamentally integrated and always political. It sometimes takes a little longer, but it’s very valuable.

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Excerpts from: Indira van’t Klooster: Inclusive archipolitics – An Interview with ZUS Architects.  A10 Magazine #64. Jul/Aug 2015

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From June 10 to July 3, 2016, the Ca’ Pesaro Museum of Moder Art in Venice will be holding the exhibition Drawn Theories / Teorie disegnate. The exhibition, curated by Sara Marini and Giovanni Corbellini, and organized within the international research project Recycle Italy collects an international landscape of authors who express their positions about recycling in architecture through drawing’. Among some nice graphic installments by more apt professionals, it also features a sequence of drawings by yours truly, which show the shameless recycling of a drawing that was itself using elements from a previous commission. Seeing the whole ensemble, which includes works from some usual suspects such as Jimenez Lai or Wes Jones, I wonder whether I should have produced a piece exclusively for the show, but timing forbade.

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Jimenez Lai: ‘Wrong’, via 

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That guy. Photographs (c) Sissi Roselli

The inauguration took place be on June 10 at 4 pm at Ca’ Pesaro, ground floor, in the rooms for the small temporary exhibitions. However, if you won’t be able to attend it while in the gallery, the exhibition will later  be set up at Tolentini for the PRIN Re-cycle Italy final conference on September 30, 2016).

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The authors featured are: Eduardo Arroyo, Aldo Aymonino, Carmelo Baglivo, Piotr Barbarewicz, Baukuh, Rosario Giovanni Brandolino, Pablo Castro (OBRA Architects), Fabio Alessandro Fusco, Wes Jones, Jimenez Lai, David Mangin, Luca Merlini, Riccardo Miotto, Hrvoje Njiric, Peanutz Architekten, Matteo Pericoli, Franco Purini, François Roche, Beniamino Servino, Federico Soriano, Tam Associati + Marta Gerardi, Klaus (Klaustoon), and Yellow Office.This exhibitions is organized within the international research Recycle Italy. It concerns the potential of  conceptual processing connected to drawing and its capability to observe reality, catching latent design-related points of view.

Re/Cycle Research group: Pippo Ciorra, Francesco Garofalo, Sara Marini, Giovanni Corbellini, Alberto Bertagna, Giulia Menzietti, Francesca Pignatelli.

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Shameless posing in Marina City

In this week and the following, I’ll be giving a couple of lectures in Chicago. The first one will be a short presentation in the third edition of MAS Context : Analog, a one-day event of talks, exhibitions, and an onsite pop-up bookstore. The event, which will take place on Saturday, June 4, 2016,  is organized in collaboration with AIGA as part of Chicago Design Week and it will be hosted at Studio Gang Architects. You can find the full details on MAS Context’s website here. There will also be a limited edition of prints, signed and numbered, available for purchase.

The other event will be a longer lecture, titled Architectural Narratives / Building Stories and hosted by the Graham Foundation, which will take place on June 7, 2016. Full details here. This lecture is also presented in partnership with MAS Context, a quarterly journal that addresses issues that affect the urban context.

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