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2014 marked the 50th anniversary of one of those ubiquitous landmarks of the 60s visionary scene, Amazing Archigram 4: The Science Fiction Issue, which saw a truncated attempt at a big-scale celebration on my part. Again, 2015 marked another 5-decade anniversary: this time, it was the publication of Reyner Banham’s ‘A Home is Not A House’ in the April 1965 of Art in America. ‘A home is not a House’ is an inevitable go-to place for any fan ´(I’m including architectural scholars here) of the capsule, expendable, or ephemeral architecture movement of the 1960-70s and beyond -and a nice counterpart to Banham’s own Megastructure.
Also, the article featured those simple-yet-captivating illustration/collages by François Dallegret (I mistyped ‘Dallegreat’ and was on the verge of leaving the typo as it worked so well) which have become a visual sine-qua-non of the time. Dallegret’s pictures were as much responsible for the success of the article as Banham’s always witty, subtly (and not so subtly) ironic and sometimes inflammatory prose. Another installation in Dallegret’s works dealing with complex machines (the article also featured some items of his ‘Automobiles Astrologiques’ series) and intricate detail, the ‘Environment Bubble‘ displayed an immediate, on-your-face rawness that contributed to its lasting appeal. The naked Dallegret and Banham clones inside the bubble were just the icing on the polemical cake. It is a pity that the ‘Banhams’ were just paste-ups of the writer’s head on the artist’s body, although, according to Mary Banham, it was the right choice -aesthetically speaking.
Anyone who’s been following this blog for a while has surely noticed I have a little more than a slight infatuation with Banham’s work and figure, in general, as well as for his collaboration with Dallegret -see ‘A Home Is Not A Mouse’ to ‘Full House vs. Full(er) House’, ‘Banham Style’, and several others published here and there. [‘There’ standing for architecture magazines not yet featured in the blog]. So, when I noticed an issue of Uncube entitled ‘Commune Revisited’ was in the works, I didn’t miss the occasion to fit in a little nod to Banham&Dallegret’s work before the year went by. [Another homage was included some months later in Arquine magazine, and it will show up here at some point, I guess]. I also contacted Mr. Dallegret at the time, and his response included some surrealistic talk about going to the supermarket and eating a banana. But I’m not going to comment on that.
For those interested in reading Dallegret’s actual thoughts, I’d strongly recommend revisiting this interview delivered on the occasion of the 2011 exhibition at the AA school of Architecture (curated by Thomas Weaver and Vanessa Norwood). ‘A Home is Not a House’ is all over the internet, and can be either checked online, or downloaded in pdf form. For those of you too lazy to click on links, you can find the full article below.
The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #34: Commune Revisited, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al. I’d check it right now, if I were you. Honest.
Banham, Reyner, Dallegret, François: ‘A Home is Not a House’. Art in America, April 1965.
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Back in March The Pritzker Award Committee announced that this year’s laureate would be Frei Otto. This was excellent news, especially for all megastructural-age nostalgics such as myself… if not for the unfortunate coincidence that Mr. Otto had sadly passed away a coupla days before that. Michael Graves, who passed away almost simultaneously, was not so lucky (I felt dirty I had done this some years earlier). Now, I’m not saying that Mr. (excuse me: Lord) Palumbo & friends changed their minds and tried to fix the mistake not to have awarded him a Pritzker in all these past occasions where they chose to reward today’s more popular and ‘kewl’ megastars… (I’m not saying it because I had actually drawn another cartoon just doing that -don’t look for it, it rests in one of my drawers). However, it would be nice if the Pritzker committee avoided pulling a Spencer Tracy and rushed a little to distribute those ones still missing. You’re running out of time, guys.
Here you have a few comments from other laureates praising Frei Otto. Please, try not to laugh at some of them.
Of course, the title is a pun on this.
The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #33: Frei Otto, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al. Worth checking, really.
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So, yes, my dear(s). The basic gag is exactly the same as the one in the previous post, only reversed this time. Anyone who’s been following this blog, read a few of my texts or just within a few kilometer-radius of me knows what I think about the late-90s-2000s fever with starchitecture and the effects it has had on the urban scene around the globe. Mostly, the post-Guggenheim re-discovery of architecture as a marketing device, fueled by politicians and entrepeneurs alike, and invaluably helped by (star)chitect’s egos has resulted into the transformation of much -not a grammatical error- of our cities into Architectural Theme Parks. Even Bilbao, which stands as the epytome of success in urban renewal, has performed its renovation in a bleak post-industrial scenario with some casualties: namely, a big chunk of its own personality.
So, when Sophie Lovell e-mailed me to remind me that I had completely forgotten I had a deadline for their issue on Universal Exhibitions, I did the obvious and wondered what flashy architecture would look like in a few decades’ time. In retrospect, this was maybe not the funniest out of the different ideas I considered for this issue, but, hey, it looks kinda cute, doesn’t it?
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(*) Yes, ‘Hanna’ is Hanna Gronkiewicz-Waltz, Warsaw’s current mayor. If you live in Poland and you don’t think Warsaw is suffering from a case of major -and pretty late- Bilbao-itis, drop me a line.
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(*I know there’s a Numerus Klausus Cartoon missing; I’m saving that one for later). You’ll excuse me if I don’t comment much, but I pulled an all-nighter yesterday. Now, plug your Tito and Tarantula’s ‘Greatest Hits’, and relax.
The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #29: After Dark, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al., which is full with Luna Parks, neutrino detectors, night walkers in nocturnal london (this one’s particularly worth checking), an article on NY’s 1977 Blackout (which was also the sunject of the inaugural issue of The New City Reader), and a lot more…
I used to have a blog, didn’t I?
Ok, so, now I got my life back, I’ll possibly be updating the blog with all the stuff which, forcefully, has kept being produced throughout all these months. And, for starters, a couple of takes on the cartoon produced for Uncube #25, ”Soft Machines’ (yes, we’re that behind), within the ‘Numerus Klausus series. A no-prize to anyone who finds all the nods to Ridley Scott’s Alien, Frank Miller’s Ronin, Tsutomu Nihei’s Blame!, Dave Taylor’s Big Robots (a great Judge Dredd story, by the way), Luc Schuiten, Neri Oxman, et al, which can be seen in the ‘cinemascope’ version below:
The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #25: Soft Machines, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al., which is full with bio-cities, microbial homes, micotecture, interactive edible products, etc.