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Rafael Viñoly

So, before January is over, I’d like to post the first one in a series of posts that look back at some of the stuff that happened in 2013 but which, due to the hectic-ness of these last months, had to wait till now. So, as a starting point, I thought it would be nice to celebrate the imminent -and eminent- first anniversary of my ongoing collaboration with Uncube Magazine, a Berlin-based, online journal that has managed to make its own place in the netsphere through a steady flow of thematic, monthly issues, since August 2012.

Drifting a little from my usually elusive manners, I offered them to draw an egotistic strip, “Numerus Klausus”, commenting on current issues on and around architecture in my own section within the magazine, ‘Klaus’ Kube’. Of course, even though it started as a regular-looking comic strip, they soon talked me into doing something a little more complex -they didn’t have to try too hard. Some of the strips are still pretty elusive, but at least this time their backstory is easier to trace back. Also, the editors’ suggestions gave me the opportunity to feature a lot of guest stars, such as the inevitable Rem-the-Man, but also MVRDV, Rafael Viñoly, Renzo Piano, Kieran Long, Pink Floyd (seriously), Florian Heilmeyer, Sophie Lovell, Zaha Hadid, Gregg Lynn, sylvia Lavin, Jean Nouvel or Sigmund Freud.

Scroll down for the whole series (including two non-posted ones)

Klaus's Kube 01 Delusional EconomiesI. Delusional Economies, in Uncube’s blogklaus Kube 02 You're so Kool blogII. You’re so Kool in Uncube Magazine # 07 : Off-places.

NK 03 On Intellectuality blogIII. On Intellectuality in Uncube Magazine #9: Constructing Images

NK 04 Taylorist Designs 01 blogIV. Tayloredist Designs in Uncube Magazine #9: Constructing Images

MVRDV Cloud EncountersV. Cloud Encounters of the 911th Kind in Uncube issue #10: Wood, Paper Pulp

NK06 - DEF 03 smVI. Metropol Para-Poli in Uncube Magazine #11: Charles CorreaUncube Numerus Klausus 07  Architecture Mon AmourVII. Architecture, Mon Amour in Uncube Magazine #12: Into the Desert NK08 02 xsmVIII. One of my Turns in Uncube Magazine #13: BerlinNK09 Viñoly attacks uncube 03IX. Faulty Towers in Uncube Magazine #15: Small Towns, Big ArchitectureShardnadoX. Shardnado! in Uncube Magazine #14: Veins

NK 11 01 smXI. Form Follows Friction in Uncube #17: Construct Africa

This last one came after a suggestion (as another one preceding it and yet one more to come) by Sophie Lovell, who thought it would be better not to have me making humor of anything Africa-related, and asked me to tackle on Zaha Hadid’s vagina-like stadium instead. I have to say that, were I an editor, the prospect of myself being given free reign to draw vaginas in the magazine wouldn’t make me any less worried, anyhoo… so, consequently, I took the opportunity to throw in some of all this phallic proliferation that’s been happening lately in architecture, ranging from Jean Nouvel’s dildo to Foster’s recently-flaccid Gherkin, China’s People’s Daily Newspaper circumcised HQ, or that infamous church that looks like a penis in aerial view (if you’re interested in this highly intellectual topic, check Cabinet Magazine’s 2003 Competition for the Most Phallic Building in the World). It also gave me the chance to feature Gregg Lynn and Sylvia Lavin (not her first time in the blog), who’s the subject of a cartoon I never get to sit and draw. Over there, writing on his blog in Providence, David Brussat identified this as an ITD (Internet transmitted Disease): “Klaustoon on Koolhaas and Penises” at Architecture Here and There.

Next issue, it  will be FAT time.

NK09 Viñoly attacks uncube 03Click to enlarge

“Developers have promised urgent action to “cover up” the Walkie Talkie skyscraper in the City after an ultra-bright light reflected from the building melted a Jaguar car on the streets below. 

The 525ft, £200 million building has been renamed the “Walkie Scorchie” after its distinctive concave surfaces reflected a dazzling beam of light which blinded passers-by and has now caused extensive damage to vehicles parked beneath it. Martin Lindsay, director of a tiling company, left his Jaguar XJ for one hour opposite the building, and returned to find warped panels along its side, accompanied by a smell of burning plastic: ‘They’re going to have to think of something. I’m gutted,” he told City A.M. “How can they let this continue?

Eddie Cannon, a heating and air conditioning engineer, said his Vauxhall Vevaro had suffered similar damage: ‘The van looks a total mess – every bit of plastic on the left hand side and everything on the dashboard has melted, including a bottle of Lucozade that looks like it has been baked. When I got in the van it was a really strange light – like it was illuminated and they were filming.’  David Banks, a PR consultant who felt the force of the intense beam, said: “It is like a huge lens. It is magnifying the sunbeam. It’s like trying to fry ants with a magnifying glass.” He added: “It was uncomfortable to be underneath and I was conscious that it was probably unsafe to spend too long under that particular beam.” Mr Banks expressed concern that the blinding rays could impair motorists’ vision. Joint developers Land Securities and Canary Wharf said they are looking into the incident. In statement they said: “As a precautionary measure, the City of London has agreed to suspend three parking bays in the area which may be affected.”

Rafael Viñoly said he designed 20 Fenchurch Street “to respect the city’s historic character, following the contour of the river and the medieval streets that bound the site, while further contributing to the evolution of the high-rise building type.” […]

Pffffffffff…..

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The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #14: Small Towns, Big Architecture, edited by Sophie Lovell, Florian Heilmeyer, Jessica Bridger, Elvia Wilk ey al. Above text extracted from: SHERWIN, Adam: “Walkie Talkie City skyscraper renamed Walkie Scorchie after beam of light melts Jaguar car parked beneath it”. The Independent, Tuesday 03 September 2013,

 

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