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Back in March The Pritzker Award Committee announced that this year’s laureate would be Frei Otto. This was excellent news, especially for all megastructural-age nostalgics such as myself… if not for the unfortunate coincidence that Mr. Otto had sadly passed away a coupla days before that. Michael Graves, who passed away almost simultaneously, was not so lucky (I felt dirty I had done this some years earlier). Now, I’m not saying that Mr. (excuse me: Lord) Palumbo & friends changed their minds and tried to fix the mistake not to have awarded him a Pritzker in all these past occasions where they chose to reward today’s more popular and ‘kewl’ megastars… (I’m not saying it because I had actually drawn another cartoon just doing that -don’t look for it, it rests in one of my drawers). However, it would be nice if the Pritzker committee avoided pulling a Spencer Tracy and rushed a little to distribute those ones still missing. You’re running out of time, guys.
Here you have a few comments from other laureates praising Frei Otto. Please, try not to laugh at some of them.
Of course, the title is a pun on this.
The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #33: Frei Otto, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al. Worth checking, really.
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So, yes, my dear(s). The basic gag is exactly the same as the one in the previous post, only reversed this time. Anyone who’s been following this blog, read a few of my texts or just within a few kilometer-radius of me knows what I think about the late-90s-2000s fever with starchitecture and the effects it has had on the urban scene around the globe. Mostly, the post-Guggenheim re-discovery of architecture as a marketing device, fueled by politicians and entrepeneurs alike, and invaluably helped by (star)chitect’s egos has resulted into the transformation of much -not a grammatical error- of our cities into Architectural Theme Parks. Even Bilbao, which stands as the epytome of success in urban renewal, has performed its renovation in a bleak post-industrial scenario with some casualties: namely, a big chunk of its own personality.
So, when Sophie Lovell e-mailed me to remind me that I had completely forgotten I had a deadline for their issue on Universal Exhibitions, I did the obvious and wondered what flashy architecture would look like in a few decades’ time. In retrospect, this was maybe not the funniest out of the different ideas I considered for this issue, but, hey, it looks kinda cute, doesn’t it?
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(*) Yes, ‘Hanna’ is Hanna Gronkiewicz-Waltz, Warsaw’s current mayor. If you live in Poland and you don’t think Warsaw is suffering from a case of major -and pretty late- Bilbao-itis, drop me a line.
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(*I know there’s a Numerus Klausus Cartoon missing; I’m saving that one for later). You’ll excuse me if I don’t comment much, but I pulled an all-nighter yesterday. Now, plug your Tito and Tarantula’s ‘Greatest Hits’, and relax.
The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #29: After Dark, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al., which is full with Luna Parks, neutrino detectors, night walkers in nocturnal london (this one’s particularly worth checking), an article on NY’s 1977 Blackout (which was also the sunject of the inaugural issue of The New City Reader), and a lot more…
I used to have a blog, didn’t I?
Ok, so, now I got my life back, I’ll possibly be updating the blog with all the stuff which, forcefully, has kept being produced throughout all these months. And, for starters, a couple of takes on the cartoon produced for Uncube #25, ”Soft Machines’ (yes, we’re that behind), within the ‘Numerus Klausus series. A no-prize to anyone who finds all the nods to Ridley Scott’s Alien, Frank Miller’s Ronin, Tsutomu Nihei’s Blame!, Dave Taylor’s Big Robots (a great Judge Dredd story, by the way), Luc Schuiten, Neri Oxman, et al, which can be seen in the ‘cinemascope’ version below:
The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #25: Soft Machines, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al., which is full with bio-cities, microbial homes, micotecture, interactive edible products, etc.
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So, in order to continue adding my dubious contribution to Archdaily’s celebration of Mr K’s 70th birthday, here you have a cartoon originally published in Uncube Magazine #23, Mexico City. This one was drawn by the time the Biennale opened, some months ago, but since it overlapped with some other Koolhaas-related cartoons (see Clog, for instance, or my previous post for Arquine), I decided to keep it for the Biennale’s closure. Now that time has arrived, and the fact that it now overlaps with Koolhaas’ b-day just makes it all more deliciously graphic. I’m not going to enter again the debate on how this Biennale, with its allegedly anti-star system approach, works too well as a self-celebrating vehicle: -“Let’s talk about architecture, not architects”. – “Where’s that motto from?” – “From Koolhaas’ Biennale.” By excluding everyone else, Koolhaas makes himself the only character in his own show, which unfolds to the viewer in all its full-fledged, pseudo-analytic banality. I would say “I already toldya so”, in my first contribution for Uncube, but I doubt there was anyone who thought otherwise when it was announced.
Ahhhh… rants… what would life be like without them?