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NK 23 -Pritzker 2015

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Back in March The Pritzker Award Committee announced that this year’s laureate would be Frei Otto. This was excellent news, especially for all megastructural-age nostalgics such as myself… if not for the unfortunate coincidence that Mr. Otto had sadly passed away a coupla days before that. Michael Graves, who passed away almost simultaneously, was not so lucky (I felt dirty I had done this some years earlier). Now, I’m not saying that Mr. (excuse me: Lord) Palumbo & friends changed their minds and tried to fix the mistake not to have awarded him a Pritzker in all these past occasions where they chose to reward today’s more popular and ‘kewl’ megastars… (I’m not saying it because I had actually drawn another cartoon just doing that -don’t look for it, it rests in one of my drawers). However, it would be nice if the Pritzker committee avoided pulling a Spencer Tracy and rushed a little to distribute those ones still missing. You’re running out of time, guys.

Here you have a few comments from other laureates praising Frei Otto. Please, try not to laugh at some of them.

Of course, the title is a pun on this.

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The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #33: Frei Otto, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al. Worth checking, really.

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NK 22 blog

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So, yes, my dear(s). The basic gag is exactly the same as the one in the previous post, only reversed this time. Anyone who’s been following this blog, read a few of my texts or just within a few kilometer-radius of me knows what I think about the late-90s-2000s fever with starchitecture and the effects it has had on the urban scene around the globe. Mostly, the post-Guggenheim re-discovery of architecture as a marketing device, fueled by politicians and entrepeneurs alike, and invaluably helped by (star)chitect’s egos has resulted into the transformation of much -not a grammatical error- of our cities into Architectural Theme Parks. Even Bilbao, which stands as the epytome of success in urban renewal, has performed its renovation in a bleak post-industrial scenario with some casualties: namely, a big chunk of its own personality.

So, when Sophie Lovell e-mailed me to remind me that I had completely forgotten I had a deadline for their issue on Universal Exhibitions, I did the obvious and wondered what flashy architecture would look like in a few decades’ time. In retrospect, this was maybe not the funniest out of the different ideas I considered for this issue, but, hey, it looks kinda cute, doesn’t it?

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The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #32: Expotecture, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al.

NK21 inks copy 04_01_sm

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(*) Yes, ‘Hanna’ is Hanna Gronkiewicz-Waltz, Warsaw’s current mayor. If you live in Poland and you don’t think Warsaw is suffering from a case of  major -and pretty late- Bilbao-itis, drop me a line.

The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #31: Poland, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al.

 NK18 A blogClick to Enlarge 

I used to have a blog, didn’t I?

Ok, so, now I got my life back, I’ll possibly be updating the blog with all the stuff which, forcefully, has kept being produced throughout all these months. And, for starters, a couple of takes on the cartoon produced for Uncube #25, ”Soft Machines’ (yes, we’re that behind), within the ‘Numerus Klausus series. A no-prize to anyone who finds all the nods to Ridley Scott’s Alien, Frank Miller’s Ronin, Tsutomu Nihei’s Blame!, Dave Taylor’s Big Robots (a great Judge Dredd story, by the way), Luc Schuiten, Neri Oxman, et al, which can be seen in the ‘cinemascope’ version below:

NK18 cinemascope blogClick to Enlarge (DO IT!)

The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #25: Soft Machines, edited by Sophie Lovell, Florian Heilmeyer, Ron Wilson and Elvia Wilk et al., which is full with bio-cities, microbial homes, micotecture, interactive edible products, etc.

NK17 inks 04_blog

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Limited and traditional definitions of architecture and its means have lost their validity. Today the environment as a whole is the goal of our activities—and all the media of its determination: TV or artificial climate, transportation or clothing, telecommunication or shelter. The extension of the human sphere and the means of its determination go far beyond a built statement. Today everything becomes architecture. “Architecture” is just one of many means, is just one possibility. […] Architecture is a medium of communication.

[…] For thousands of years, artificial transformation and determination of man’s world, as well as sheltering from weather and climate, was accomplished by means of building. The building was the essential manifestation and expression of man. Building was understood as the creation of a three-dimensional image of the necessary as spatial definition, protective shell, mechanism and instrument, psychic means and symbol. The development of science and technology, as well as changing society and its needs and demands, has confronted us with entirely different realities. Other and new media of environmental determination emerge. […] Obviously it no longer occurs to anyone to wall-in sewage canals or erect astronomical instruments of stone (Jaipur). New communications media like telephone, radio. TV, etc. are of far more import. Today a museum or a school can be replaced by a TV set. Architects must cease to think only in terms of buildings.

[…] Thus a building might be simulated only. An early example of the extension of buildings through media of communication is the telephone booth —a building of minimal size extended into global dimensions. Environments of this kind more directly related to the human body and even more concentrated in form are, for example, the helmets of jet pilots who, through telecommunication, expand their senses and bring vast areas into direct relation with themselves. Toward a synthesis and to an extreme formulation of a contemporary architecture leads the development of space capsules and space suits. Here is a “house”—far more perfect than any building—with a complete control of bodily functions, provision of food and disposal of waste, coupled with a maximum mobility. […] A true architecture of our time will have to redefine itself and expand its means. Many areas outside traditional building will enter the realm of architecture, as architecture and “architects” will have to enter new fields.

All are architects. Everything is architecture.

Hans Hollein: “Alles Ist Architektur”. Bau 1/2, 1968

[Full text and original article at Socks’ blog]

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The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #24: Hans Hollein, edited by Sophie Lovell, Floriaon Heilmeyer, Elvia Wilk et al, which deals entirely with Hollein’s work with some help of Madalena Boavida, Susie S. Lee, Wilfried Kuehn, Marlies Wirth, Oliver Elser, Rob Wilsonet al. Highly recommended reading.

For some further reading on a man who made the world a more interesting place, check Dezeen’s April 2014 obituary, or some words on him by Charles Holland  ( ), who echoes Hollein in more aspects than his name. I know: there’s a ‘Numerus Klausus’ issue missing. It’ll come later.

NK15 Underwater Zoom

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The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #22: Water, edited by Sophie Lovell, Florian Heilmeyer, Elvia Wilk et al, which focuses on Water as a design material, and gathers everything from Matthias Schuler to the Hoover Dam or rei Otto. Federico Fellini, Aronofsky’s ‘Noah’ and Archigram’s Warren Chalk may not seem to go hand in hand to everyone, but in my mind, it makes perfect sense. Maybe that speaks tons of the way it works. More on that later. Maybe not.

This cartoon was drawn on May 2014, which marks the 50th anniversary of the original publication of ‘Amazing Archigram 4: Zoom Issue’, where ‘Underwater Zoom’ was a whole section. Happy Birthday! An exhibition may be in the works.

NK09 Viñoly attacks uncube 03Click to enlarge

“Developers have promised urgent action to “cover up” the Walkie Talkie skyscraper in the City after an ultra-bright light reflected from the building melted a Jaguar car on the streets below. 

The 525ft, £200 million building has been renamed the “Walkie Scorchie” after its distinctive concave surfaces reflected a dazzling beam of light which blinded passers-by and has now caused extensive damage to vehicles parked beneath it. Martin Lindsay, director of a tiling company, left his Jaguar XJ for one hour opposite the building, and returned to find warped panels along its side, accompanied by a smell of burning plastic: ‘They’re going to have to think of something. I’m gutted,” he told City A.M. “How can they let this continue?

Eddie Cannon, a heating and air conditioning engineer, said his Vauxhall Vevaro had suffered similar damage: ‘The van looks a total mess – every bit of plastic on the left hand side and everything on the dashboard has melted, including a bottle of Lucozade that looks like it has been baked. When I got in the van it was a really strange light – like it was illuminated and they were filming.’  David Banks, a PR consultant who felt the force of the intense beam, said: “It is like a huge lens. It is magnifying the sunbeam. It’s like trying to fry ants with a magnifying glass.” He added: “It was uncomfortable to be underneath and I was conscious that it was probably unsafe to spend too long under that particular beam.” Mr Banks expressed concern that the blinding rays could impair motorists’ vision. Joint developers Land Securities and Canary Wharf said they are looking into the incident. In statement they said: “As a precautionary measure, the City of London has agreed to suspend three parking bays in the area which may be affected.”

Rafael Viñoly said he designed 20 Fenchurch Street “to respect the city’s historic character, following the contour of the river and the medieval streets that bound the site, while further contributing to the evolution of the high-rise building type.” […]

Pffffffffff…..

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The original cartoon can be found as originally published in the “Klaus Kube” section of Uncube Magazine #14: Small Towns, Big Architecture, edited by Sophie Lovell, Florian Heilmeyer, Jessica Bridger, Elvia Wilk ey al. Above text extracted from: SHERWIN, Adam: “Walkie Talkie City skyscraper renamed Walkie Scorchie after beam of light melts Jaguar car parked beneath it”. The Independent, Tuesday 03 September 2013,

 

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